This merits a much longer piece, but I want to get the idea out there.
In Les Regles de l’Art, Pierre Bourdieu describes the emergence in the 19th century of a concept of autonomy in the sphere of cultural production, whereby progressively artists shook off the constraints of the need to conform to sanctioned norms and/or to communicate a “message”, in favor of “art for art’s sake”. To be an artist was to be someone whose duty of truth to him- or herself took absolute precedence over any other consideration.
This, I see, merely prefigured a wider emancipation of humanity which is still only at its early stages today, and not yet widely recognized as such.
The concern to live a good life has for a long time been the preserve of philosophers and theologians, figures who occupied a consecrated position within the hierarchy of social power. Even the artist’s freedom to create has not always meant a freedom in personal life, an ars vivendi (neither has the philosopher’s souci de soi).
As the social institutions of religion have collapsed in Western society, new religious movements have stepped in to occupy the space vacated. These movements have sometimes been of a mass nature, but also sometimes are little more than a clan. The easy availability of information in the internet age has also had a profound effect on these dynamics, rendering them both more ephemeral and more centripetal. But almost all of these new movements, to this day, seek to do exactly what religion has always sought to do, that is to respond to the human need for community by building social systems in which degree of initiation determines place in the hierarchy and ideas are turned into doctrines and dogmas, falsely dehistoricized to become foundational myths. However, in the modern world it is very hard to monopolize habitus and many forces militate against ever recreating the religious empires of the past.
The discipline of inquiry taught us by the philosophers potentially contains a grain of truth, but since Plato until modern times it is certainly thought of wrongly: as a search for what is “out there”, can be uncovered by reason and accordingly should guide our behavior. As I have argued before, this project in reality (the tyranny of reason) seeks only to control us in the service of a possibly (once) imperative social goal, but not one we have freely chosen or even, frequently, questioned.
Although most of us recognize that there is no “truth” in art, we are still highly conditioned to believe that there is truth in life; a meaning which is external, which some have found and which we can emulate by following in their footsteps.
In my opinion, our relationship to our spiritual forbears should be no different to the relationship of the artist to hers. Spiritual creation is a work of art, which may uncover something of the structure of the universe but which simultaneously embodies what Zola called “the particular language of a soul”, specific to time and place. It is a universality without universalism, and utterly contingent on this impossible paradox.
Is there evidence that this spiritual field, in Bourdieu’s sense, is emancipating itself from religion and coming into an autonomous state of being?
I have of course not done any historical study and it is very much my impression that almost no-one yet understands or espouses this understanding clearly, although there are clearly echoes of it already in systems both ancient and modern. Driven by economic factors, ego, habit or expectations, most spiritual teachers try to keep their disciples on the hook, and many aspire to found their own dynasties.
I say, spiritual truth can only be communicated as art, and the spiritual teacher must have the attitude of an artist and should be thought of in this way; indeed, the attitude of an artist is incumbent upon all of us, for we are all artists of our own life. There is no possible way that the student can emulate the teacher; the student can only express her own essence. As (even) Jesus said, unless the seed falls into the earth and dies, it cannot bring forth fruit.
It is very hard for those of us who seek truth to understand that it does not matter where we look for it; to understand that, in fact, “truth” is not a very good word. We all tend to think that if one person has truth, another does not; that is the nature of positivistic truth and we are accustomed to thinking it is also true of spiritual truth. But it is not. Spiritual truth, like artistic “truth”, is inborn, in our cells and in our consciousness; no-one can transmit it to us, all anyone can ever do is wake us up to it within ourselves, and to do this they are never more than instrumental. The environment around us most propitious to our spiritual awakening is not a problem we need to solve, it is much more an emanation of what is already inside.
We need to cease the search and become artists of our own lives, surrounding ourselves with and attracting other artists, certainly, but purely for the joy of sharing in their beauty.